Monday, October 29, 2012
Saturday, February 19, 2011
Friday, July 17, 2009
Lucy
This is a photo of my friend while we were hanging out at Aloha Tower. I've been using Kodak Ektar lately and I love how the colors are captured on this film. I'll have more photos later. I'm still editing them.
Tuesday, May 19, 2009
Another summer
Another year has passed since I returned from Japan. I got asked to go to Tokyo again. Unfortunately, I don't have any money to go. I needed to go part time at work for school and so I couldn't save any money. So what will I be doing for the summer instead of taking my annual trip? I'll be working on my craft.
I've been shooting a lot more since my first trip to Japan. I brushed the dust off my medium format camera and started to take pictures with it again. My photography professors used to tell me that I would enjoy using medium format because I'm all about the details in an image. They kept saying, "I want to see a bigger print." Since 35mm was so small, the details in a portrait would often have grain when the photos get enlarged to 11x14. Medium format negatives are much bigger, so this means that if I enlarge it, there's not gonna be much grain. Here are some portraits I took of my friends.




I'll be taking a lot more photos during the summer. Hopefully, I'll have enough money next summer to go back to Japan.
Thursday, April 16, 2009
Thursday, July 17, 2008
Where are you wind?
I knocked on the door to drop off a piece of paper to one of the girls. As I walked into the hall, I heard grunting and wondered what was going on. There they were; Beverly, Stacey, Amanda, and Yoko were all getting
dressed in their yukatas (summer kimono). We were going to Gion Matsuri today. It is a month long festival
that's been happening since the end of the 10th century. The festival's highlight is the parade down the streets of Kyoto. This is one of the largest festivals in Japan and we had nearly front row seats to the spectacle. Above is a photo of one of the floats that gets pulled around the streets of Kyoto to ward off evil spirits. This float is called Kankoku Boko, and according to the legend written in the Gion Matsuri guidebook, "a lord named 'Moshokun' needed to pass through the barrier named 'Kankoku' in the midnight. Since the rules stated that the barrier had to be opened at the first crow of a cock in the morning, the lord mimicked a cock, and thereby tricked the guards to let them open the barrier." The day was getting hot and the girls in their Yukata started to overheat. Since we were in the middle of a country wide heat wave, we decided to leave early for the streets of Gion.
Gion is the part of the city that houses traditional Maikos. They are the modern day geishas. As we walked through the cobblestone covered streets of Gion, I was inspired by the architecture of the little houses that lined the street. I was amazed at how the Japanese uses every square foot of what little space they have. Although I could only see the main entrance and the genkan, "the little porchlet at the entrance to every Japanese residence where visitors remove their shoes," (Reid, 68) I could only imagine the ingenious ways they store and save space. I once looked through a book about modern Japanese houses and the architect used every single nook and cranny for usable space. I wondered if it was the same in the houses we walked past. At the end of the street, there was a colorful gateway to the Gion Temple.
Wednesday, July 16, 2008
There and Back Again
Our first full day in Kyoto was exactly what I said. It was a full day. We walked across the street to scale the stairs/escalators to the top of Kyoto station. While everyone was enjoying the view of the city from atop the viewing deck, I was marveling at the site of one of the most modern pieces of architecture in Japan. I loved the way the architect used steel and glass to show how far Kyoto has come from the days of wood and shingles. Andy also pointed out how the escalators formed what looked like mountains and the main floor was a valley, just like how the city of Kyoto is surrounded by the mountains. Although I could imagine how far the city of Kyoto has changed over time, I was going to find out just how far they have come.The first temple we visited was the famous Toji Temple. According to Eyewitness Travel: Japan, "Toji's magnificent five-story pagoda...[is] the tallest wooden structure in Japan." This was a stark contrast to what I just saw an hour earlier. Although both structures were different in many ways, I noticed how intricate both structures were. The attention to detail in the truss formation of Toji Temple is essential to its design and the same exact comment can also be made to the describe the truss formation of Kyoto Station. For many people who appreciate modern architecture, Kyoto station could be a symbol of Kyoto. For people who appreciate tradition and history, Toji Temple is their symbol of the city. Many of the brochures I saw of Kyoto showed this temple in a silhouette in front of a setting sun. Something that the brochures did not prepare me for were the wooden carvings of Buddhas. The wooden statues were as tall as a two-story building and were carved from one solid block of wood.
Another thing that separated this temple from the others we visited was the shear beauty of the gardens. In the middle of the summer season, the trees were still green and lush. Although there were no cherry blossoms blooming from the largest cherry blossom tree in Kyoto, it was still a beautiful sight. As a photographer, I really enjoyed how there was no way I could make a bad photograph. The way that the landscape was designed, gave the visitor a view of the temple from nearly every point of the garden.
Kyoto Station highlighted modern architecture, while Toji Temple is known for its height. Nijo Castle is known, on the other hand, for its noise. I asked myself the same question you're probably asking yourself now. Noise? How is noise an architectural aspect? According to Eyewitness Travel: Japan "the nightingale floors were carefully laid so that the cramps and nails below the floorboards would rub together and squeak gently when disturbed." I didn't believe it at first, but as soon as I stepped onto the wood floors with my socks, I immediately heard the squeaks. It's called nightingale floors because the squeaks it makes sound a little like a nightingale. What impressed me even more was the fact that there were no light bulbs in the whole castle. The use of paper on the sliding doors let enough light into the rooms to keep the whole place well lit. Honestly, I didn't even notice it until the end of the tour.
A temple that highlights its own architecture is Kinkaku-Ji, also known as The Golden Temple. As I walked through the gates, showing the guard my paper ticket, I tried to imagine what the crazed monk was thinking when he decided to burn down the original temple. When I finally saw the temple, I had to stop to take it in. A feeling came over me that can only be inspired by something beautiful. As I took in the sight, I thought of that monk and couldn't help but think, this would look very beautiful when engulfed by a wall of fire. I don't know what came over me, but I immediately stopped thinking about it to take this photo.
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